Mizar Computing

104 Bradwell Road, Bradville, Milton Keynes, MK13 7DH

There's an Peanuts comic strip where Lucy very reluctantly reads a story to her brother Linus. "A man was born... he lived and he died! The end!" That's the story of Mizar Computing. I feel bad for being glib but that's pretty much all we know. Mizar were founded in 1984 by Robert Waller and Richard Woodward. The company released one game and closed. The end. They failed. As did so many companies. It's the circumstances of their failure I find interesting because the short story of Mizar and their game Out of the Shadows is also the story of CRASH magazine, one year old and newly confident, and thinking they could make a game a hit by sheer force of will. And learning they couldn't.

Thalamus

 1 Saturn House, Calleva Park, Aldermaston, Berks, RG7

I'm pretty sure only four magazine publishers set up software houses; EMAP with Beyond, Argus Press with Argus Press Software, Mirror Group Newspapers with Mirrorsoft and, of course, Newsfield with Thalamus. The surprise is not so much that other publishers didn't dip their toe into the water, it's that Newsfield were so late to the party. Thalamus was founded in 1986, when smaller software houses were being squeezed out of the market and either making the decision to become developers rather than publishers, see Design Design and Realtime, or stepping back from the market completely like Durell and Microsphere.

Vortex Software

Vortex House, 24 Kansas Avenue, Salford, M5

I've written before that the foundation of this blog was a list of companies I wanted to cover for different reasons; some were big names, some had an interesting story, some were of niche interest, and some hit my nostalgia button. This is the latter. I've got a huge soft spot for Vortex Software. I spent hours playing T.L.L. and even more playing Highway Encounter. I love Highway Encounter. I think it's brilliant. It's a real neglected gem of a game as far as I'm concerned. It doesn't get talked about anywhere near enough when the ZX Spectrum is mentioned. It's a Top 10 title. It looks great. It plays great. Its got some really clever gameplay elements. And that ending! We'll get to the ending later.

Legend

1 Milton Road, Cambridge, CB4

Legend's first game Valhalla was steeped in Norse mythology. Players were sent on a quest around Asgard searching for six mythical objects (Ofnir, Drapnir, Skornir, Skalir, Felstrong, and Grimnir) and encountering gods and heroes. Of course, given the way the company fell, the legend they should have been paying attention to was Icarus.

Domark

Ferry House, 51-57 Lacy Road, Putney, SW15

When I started this blog I diligently wrote out a list of companies I wanted to cover. Some companies went on the list because they hit my nostalgia buttons, some went on the list because they were big names and it would be odd if they were missing, some went on the list because I thought they might be of specific niche interest to some people, some went on the list because I had a story about them I wanted to tell, and -let's not beat around the bush here- some went on the list because I knew they would be easy. Domark didn't make that first list. Or the second one. Or a couple of the subsequent follow up lists. They didn't even make my backup in-case-of-unforeseen-emergencies list. It's clear I really like lists. What is less clear is, why is there a Domark-shaped hole in my nostalgia? 

Realtime Games Ltd

Prospect House, 32 Sovereign Street, Leeds, LS1

"Why would you order a taxi from where I don't know where it is? Why didn't you order it from the station?" The person on the phone outside Leeds station was having a bad day. Don't drive to Leeds I was told but public transport apparently carried its own frustrations. I left him to it, and headed towards Prospect House which I was delighted to discover was barely five minutes walk from the station. If only they could all be this easy.

Microsphere

 72 Rosebery Road, London, N10

"Little, and round, with no sharp edges." The explanation for Microsphere's name stuck with me ever since I read it in CRASH (February 1986 page 73). It's a very pleasing and charming explanation, and something about it strikes a chord. I like the way it takes two mundane words. Micro, as the interview notes, "from the days when any respectable software house had Micro in it's name" and sphere, and combines them to produce something new. It feels like that's what Microsphere did. It took mundane objects, trains, motorbikes, and of course schools, and made them into something unusual. And they did this from an ordinary London street where quietly and without any fuss they created some remarkable games.