Piranha / Macmillan Software

 4 Little Essex Street, London, WC2R

"It's a lovely pub isn't it?" The question was directed at me as I started to line up my camera. It was one of the two men who had been standing at the side of Milford Lane discussing the Cheshire Cheese pub and a point of maintenance. "Yes," I agreed, because it is a nice pub. The pair were, I learned in the subsequent conversational back and forth, investigating alternative ways of lighting the sign because the current lack of access is a pain whenever the bulb blows. "Good luck with the sign," I said cheerily as I took my picture and walked away. I didn't have the heart to tell the bloke I was actually more interested in the blandly modern office on the opposite side of Little Essex Street.

Roger Kean

Roger Kean, the co-founder of Newsfield magazines and editor of CRASH and ZZAP!64 died on 3rd January this year, barely five months after the death of his partner Oliver Frey.  This isn't an obituary as such, it's more a way to try and get down my thoughts on someone who I never met but who had a huge impact on my life. I wouldn't be sitting here in front of my computer on a sunny January morning if I hadn't picked up issue 13 of CRASH from the Hempstead Valley WH Smith's*. What's surprising about that issue of CRASH is how opaque it is to the first time reader. The first page of the magazine talks about the failure of a Great Space Race, what? Then references "a piece of PR from Hutchinson Computer Publishing", what's PR? Oh, and someone called Angus Ryall has upset John Merry of Scorpio Gamesworld; is that bad?

Ocean

6 Central Street, Manchester, M2

There's a running joke in the Mary Whitehouse Experience Encylopedia where Rob Newman gets increasingly frustrated at having to define simple words. I feel this entry for Ocean should read a bit like his definition of Tree. Ocean: "Don't be stupid you know who Ocean are. You know, Ocean. OCEAN! OCEAN! It's Ocean. Jesus..." The company is already well documented. There's a history of Ocean by Chris Wilkins and Roger Kean. Mark R Jones wrote Load Dij Dij which covers his experience working there and captures the excitement of going from an external observer of a company, to an insider. RETRO GAMER has half a dozen articles, there are umpty-hundred videos on Youtube about Ocean's best games and their worst and their history and their rise and fall. The BBC covered Ocean at least twice, in their notorious 1984 Commerical Breaks documentary, and they sent Keith Chegwin there to check it out in 1988. This blog entry might be redundant before its even begun.